'Kaleidoscope'
2015-2017
In a society that profits from self-doubt liking yourself is a rebellious act.
Let’s work on being our biggest fans, not worst enemies.
The idea behind Kaleidoscope came during a residency in Arizona, USA (2015) and this is where these translucent, porcelain flowers babies were born. I love to combining of clay with textile elements and fixing such a delicate, fleeting subject, into a solid, permanent state.
I was based within an eclectic artist community in the old ghost town of Jerome. The town was set on a mountain top and boasted stunning desert views; just 20 minute drive from the spiritual energy capital of Sedona I became submerged in a bohemian, new age culture.
Historically my work had been sculptural, I enjoy the technical challenge of slab-building with porcelain; it is this craftsmanship that is my comfort zone. I've felt that if there wasn't higher level of skill required then, in my eyes, my work wouldn't be as valid. I'm not sure I'm the 'arty' type, I struggle with valuing myself and think there is a like between this and allowing myself to strip back my ideas and explore 'less is more'. Lots of over-compensating and trying too hard.
With Kaleidoscope I wanted to become less ridged, strip back my ideas and allow environments to play a part. Embracing the boost of confidence the residency gave me and my desire to travel, an idea formed, to travel with my porcelain flower babies. Between 2015 and 2017 I introduced them to different environments, observing how they impact, adapt and react. The world is such a beautiful place; Mother Nature takes my breath away.









